{"id":10030,"date":"2024-04-27T07:37:19","date_gmt":"2024-04-27T05:37:19","guid":{"rendered":"https:\/\/www.spazioc21.com\/see-into-the-trees-niels-shoe-meulman-devon-schoemaker\/see-into-the-trees-niels-shoe-meulman-devon-schoemaker-artworks\/"},"modified":"2026-07-20T19:03:25","modified_gmt":"2026-07-20T17:03:25","slug":"artworks","status":"publish","type":"page","link":"https:\/\/www.spazioc21.com\/en\/see-into-the-trees-niels-shoe-meulman-devon-schoemaker\/artworks\/","title":{"rendered":"SEE INTO THE TREES – Niels Shoe Meulman – Devon Schoemaker – artworks"},"content":{"rendered":"

[vc_row full_width=”stretch_row” el_class=”riga”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][vc_widget_sidebar sidebar_id=”cs-39″][\/vc_column][vc_column width=”2\/4″][vc_empty_space height=”85px”][vc_column_text el_class=”margine1″]\/ ARTWORKS<\/strong>[\/vc_column_text][vc_column_text el_class=”margine1″]DEVON SCHOEMAKER
\nNIELS SHOE MEULMAN<\/strong>
\nBLUE FLOWER
\nAnalog chromogenic print
\nwith acrylic paint on dibond
\n170 x 120 cm
\n2024<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6696″ img_size=”full” css=”.vc_custom_1714201428667{padding-left: 24px !important;}” el_class=”margine0″][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][vc_empty_space height=”85px”][vc_column_text]<\/p>\n

NIELS SHOE MEULMAN<\/strong><\/h3>\n

(Amsterdam, 1967)[\/vc_column_text][vc_column_text el_class=”bio”]Niels Shoe Meulman<\/strong>
is a visual artist known for his gestural paintings that blend graffiti and calligraphy experiences. He revolutionized the art of writing when he started the Calligraffiti movement, stating that \u201ca word is an image and writing is painting\u201d. As a pioneer of writing, Shoe created tags in the 1980s in New York alongside artists like Dondi White, Rammellzee, and Keith Haring. Influenced equally by Abstract Expressionist painters and Pop artists, he gradually found a unique way to translate his art from the streets to galleries and museums. By experimenting with traditional canvas painting, as well as venturing fearlessly into other realms like conceptual installations and poetry, Niels Shoe Meulman continues to push boundaries for the global contemporary urban art movement. He has exhibited his work in numerous solo shows and in many international museums, and is represented by Unruly Galleries (Amsterdam) and Magda Danysz Galleries (Paris, Shanghai, and London).[\/vc_column_text][vc_column_text] nielsshoemeulman\"\"<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine0″]DEVON SCHOEMAKER
\nNIELS SHOE MEULMAN<\/strong>
\nNO WITCHES HERE
\nAnalog chromogenic print
\nwith acrylic paint on dibond
\n170 x 120 cm
\n2024<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6697″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

DEVON SCHOEMAKER<\/strong><\/h3>\n

(Amsterdam, 1974)[\/vc_column_text][vc_column_text el_class=”bio”]Devon Schoemaker <\/strong>graduated from the Amsterdam Photo Academy in 2012, and has since held several solo exhibitions, interviews, and publications. She prefers solitary experiences with her camera, completely forgetting her audience, and it is this ambivalence that characterizes her work: Devon captures the essence of the city, where stress and chaos are part of daily life, but she is also intrigued
by nature, capturing the beauty of growth, shapes, forms, lights, shadows, and decay.
Specializing in photography on glass plates coated with gelatin – a photographic technique used since 1873 – she uses original antique wooden cameras that allow her to capture and emphasize the intensity of contrasts.
Thanks to the extended shutter speeds required to capture enough light, her images exude a certain tranquility and capture almost unreal movements. The emulsion becomes an integral part of the photographs, introducing some \u201cimperfections\u201d that reflect the characteristics of the real world, sometimes hidden from our eyes.
[\/vc_column_text][vc_column_text] koningdevon\"\"<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine0″]DEVON SCHOEMAKER
\nNIELS SHOE MEULMAN<\/strong>
\nNO TALKING IN THE FOREST
\nAnalog chromogenic print
\nwith acrylic paint on dibond
\n170 x 120 cm
\n2024<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6698″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine0″]DEVON SCHOEMAKER
\nNIELS SHOE MEULMAN<\/strong>
\nDIVIETO DI CACCIA
\nAnalog chromogenic print
\nwith acrylic paint on dibond
\n170 x 120 cm
\n2024<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6699″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine1″]DEVON SCHOEMAKER
\nNIELS SHOE MEULMAN<\/strong>
\nEYE AND EYE
\nAnalog chromogenic print
\nwith acrylic paint on dibond
\n164,5 x 113 cm
\n2024<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6700″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine0″]DEVON SCHOEMAKER
\nNIELS SHOE MEULMAN<\/strong>
\nTRAVELING AT THE SPEED
\nOF THOUGHT
\nAnalog chromogenic print
\nwith acrylic paint on dibond
\n170 x 120 cm
\n2024<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6701″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine2″]DEVON SCHOEMAKER<\/strong>
\nWE\u2019RE ON FIRE
\nAnalog chromogenic print
\non dibond
\n102 x 73 cm
\n2023<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6702″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine2″]DEVON SCHOEMAKER<\/strong>
\nSEE INTO THE SHOE
\nAnalog chromogenic print
\non dibond
\n51 x 72 cm
\n2023<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6703″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine2″]DEVON SCHOEMAKER<\/strong>
\nFEEL INTO THE TREES
\nAnalog chromogenic print
\non dibond
\n72 x 51 cm
\n2023<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6704″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine2″]DEVON SCHOEMAKER<\/strong>
\nGU-US
\nAnalog chromogenic print
\non dibond
\n72 x 51 cm
\n2023<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6705″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine2″]DEVON SCHOEMAKER<\/strong>
\nSEE INTO THE WINDOW
\nAnalog chromogenic print
\non dibond
\n72 x 51 cm
\n2023<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6706″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine2″]DEVON SCHOEMAKER<\/strong>
\nGROWING DOWN
\nAnalog chromogenic print
\non dibond
\n72 x 51 cm
\n2023<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6707″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine2″]DEVON SCHOEMAKER<\/strong>
\nFALLING UP
\nAnalog chromogenic print
\non dibond
\n72 x 51 cm
\n2023<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6708″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine2″]DEVON SCHOEMAKER<\/strong>
\nBELIEVING IS SEEING
\nanalog chromogenic print
\non dibond
\n72 x 51 cm
\n2023<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6709″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine3″]NIELS SHOE MEULMAN<\/strong>
\nSEE INTO THE TREES #1
\nCarbon ink and
\nbalsamic vinegar on paper
\n69 x 89,5 cm
\n2023<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6710″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine3″]NIELS SHOE MEULMAN<\/strong>
\nSEE INTO THE TREES #2
\ncarbon ink and
\nbalsamic vinegar on paper
\n69 x 89,5 cm
\n2023<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6711″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine3″]NIELS SHOE MEULMAN<\/strong>
\nOUTDOOR SHOE
\n(AKA FORAGING SHOE)
\ncarbon ink and
\nbalsamic vinegar on paper
\n69 x 89,5 cm
\n2023<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6712″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine3″]NIELS SHOE MEULMAN<\/strong>
\nOPTIMISTYC X 23 – ll 24
\ncarbon ink and
\nbalsamic vinegar on paper
\n69 x 89,5 cm
\n2023<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6713″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine3″]NIELS SHOE MEULMAN<\/strong>
\nCAVAZZONE BY NIGHT
\ncarbon ink and
\nbalsamic vinegar on paper
\n69 x 89,5 cm
\n2023<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6714″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine3″]NIELS SHOE MEULMAN<\/strong>
\nSCARPE DIEM
\nCarbon ink and
\nbalsamic vinegar on paper
\n69 x 89,5 cm
\n2023<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6715″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine0″]NIELS SHOE MEULMAN<\/strong>
\nNO TALKING IN THE FOREST
\nCarbon ink and
\nbalsamic vinegar on cotton
\n92 x 148,5 cm
\n2023<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6716″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine1″]NIELS SHOE MEULMAN<\/strong>
\nLEAVE THE LEAVES
\nCarbon ink and
\nbalsamic vinegar on cotton
\n145 x 96 cm
\n2023<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6717″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine1″]NIELS SHOE MEULMAN<\/strong>
\nCAPRIOLO
\nCarbon ink and
\nbalsamic vinegar on cotton
\n100 x 145 cm
\n2023<\/p>\n

\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6718″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine3″]NIELS SHOE MEULMAN<\/strong>
\nNO TALKING IN THE FOREST
\nCarbon ink and
\nbalsamic vinegar on cotton
\n65 x 53,5 cm
\n2023
\n\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_single_image image=”6719″ img_size=”full”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md”][vc_widget_sidebar sidebar_id=”cs-39″][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_column_text el_class=”bio”]Niels Shoe Meulman is […]<\/p>\n","protected":false},"author":1,"featured_media":10036,"parent":10023,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":{"_lmt_disableupdate":"no","_lmt_disable":"","_links_to":"","_links_to_target":""},"folder":[92],"yoast_head":"\nSEE INTO THE TREES - Niels Shoe Meulman - Devon Schoemaker - artworks - SpazioC21<\/title>\n<meta name=\"description\" content=\"Shoe and Devon's project encompasses both the power relationship between man and nature and the theme of human introspection within nature itself.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.spazioc21.com\/en\/see-into-the-trees-niels-shoe-meulman-devon-schoemaker\/artworks\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"SEE INTO THE TREES - 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