{"id":10911,"date":"2020-06-08T07:33:01","date_gmt":"2020-06-08T05:33:01","guid":{"rendered":"https:\/\/www.spazioc21.com\/dialoghi-di-strada-5\/dialoghi-di-strada-5-artworks\/"},"modified":"2026-08-12T12:37:52","modified_gmt":"2026-08-12T10:37:52","slug":"artworks","status":"publish","type":"page","link":"https:\/\/www.spazioc21.com\/en\/dialoghi-di-strada-5\/artworks\/","title":{"rendered":"STREET DIALOGUES #5 – artworks"},"content":{"rendered":"

[vc_row full_width=”stretch_row”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][vc_widget_sidebar sidebar_id=”cs-5″][\/vc_column][vc_column width=”2\/4″][vc_empty_space height=”85px”][vc_column_text el_class=”margine”]\/ ARTWORKS<\/strong>[\/vc_column_text][vc_column_text el_class=”margine”]SETH<\/strong>
\nEscape<\/em> (in memory of the Bataclan attack),
\nParis, November 2015
\nspray paint and acrylics on zinc slab recovered from Paris rooftops, steel bars and fabric
\n184 x 124 cm<\/p>\n

\u00a9 Ph. Dario Lasagni[\/vc_column_text][vc_single_image image=”1562″ img_size=”full” onclick=”link_image”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][vc_empty_space height=”85px”][vc_row_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]<\/p>\n

SETH<\/strong><\/h3>\n

(Paris 1972)[\/vc_column_text][vc_column_text]A writer since the mid-1990s, Julien Malland began painting murals in Paris\u2019s 20th arrondissement under the name SETH<\/strong>. Graduated from the \u00c9cole Nationale Sup\u00e9rieure des Arts D\u00e9coratifs (ENSAD) in Paris, before dedicating himself to painting, he worked in advertising.
\nSince 2003, he has developed a distinctive, iconic painting style associated with the imagery of childhood. His children represent the generation of the future\u2014observers, witnesses, and messengers of sociological, political, and ethnic inquiries. Seth depicts them by hiding their faces in a swirl of colors, leaving us to imagine their expressions beyond the rainbow; the message simultaneously plays on the contrast between innocence and discomfort, juxtaposing adolescent purity with the difficulties of adult life. In his work, the children\u2019s candor is lost in the disillusionment of our time.
\nThe originality of his work \u2014 evident in pieces created in the East and Latin America \u2014 also stems from his ability to incorporate symbols, culture, and subjects from the place where the work is painted.
Seth published Kapital, One Year of Graffiti <\/em>in Paris in collaboration with Gauthier Bischoff in 2000, the best-selling book on French graffiti, and has produced numerous documentaries.
[\/vc_column_text][vc_column_text]seth_globepainter<\/a>\"\"<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1617328668727{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine”]C215<\/strong>
\nStaring<\/em>
\nParis, 2013
\nSpray paint, stencil on found wood door
\n166, 5 x 72,5 cm<\/p>\n

\u00a9 Ph. Dario Lasagni[\/vc_column_text][vc_column_text css=”.vc_custom_1618758969998{padding-left: 200px !important;}”][\/vc_column_text][vc_single_image image=”1563″ img_size=”full” onclick=”link_image”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][vc_row_inner][vc_column_inner width=”1\/3″][\/vc_column_inner][vc_column_inner width=”2\/3″][vc_column_text]<\/p>\n

C215<\/strong><\/h3>\n

(Paris 1973)[\/vc_column_text][vc_column_text]Christian Gu\u00e9my, aka C215<\/strong>, has been active on the walls of Paris since 2005.
\nHe is the most popular stencil specialist and also the most recognizable thanks to his unmistakable multilayer cuts: vivid, intense, bright, and deep.
\nHe mainly portrays metropolitan humanity: beggars, immigrants, homeless people, street children, anonymous lovers, the elderly, workers, and cats; he favors common subjects, unknown faces, and authentic expressions. He lingers on expressions, profiles, and gazes, which he renders attractively with great technical skill \u2014 the stencil layers \u2014 and expressiveness. His daughter Nina is often the subject of his works.
He has been producing street art for about 20 years, carrying his message to many cities worldwide, completing numerous commissioned projects, as well as many works on found materials; his moniker derives from the number of the cell where he was once imprisoned.[\/vc_column_text][vc_column_text]christianguemy<\/a>\"\"<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1617328674189{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine”]JEF A\u00c9ROSOL<\/strong>
\nSelf Portrait<\/em>
\nParis, 1992
\nSpray paint, stencil on canvass
\n4 elementi, 70 x 50 cm<\/p>\n

\u00a9 Ph. Dario Lasagni[\/vc_column_text][vc_single_image image=”1564″ img_size=”full” onclick=”link_image”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][vc_row_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]<\/p>\n

JEF A\u00c9ROSOL<\/strong><\/h3>\n

(Nantes 1957)[\/vc_column_text][vc_column_text]A pioneer of urban art, born during the rock era, a teenager in the beat era, and an adult during punk. In the late 1970s, he was quite active with copy art, an artistic form developed around the emerging photocopy technology. Then, along with Blek le Rat and Miss Tic, Jean-Fran\u00e7ois Perroy, aka JEF A\u00c9ROSOL<\/strong>, became one of the most famous exponents of the first generation of stencil artists, those who in the early 1980s began painting portraits and serial images on European city walls using spray cans and cardboard masks.
\nHis stencil is a self-portrait derived from a passport photo, executed on a large scale in Tours in 1982, a subject recurring in his early studio work. Since then, Jef A\u00e9rosol has mainly painted portraits of famous personalities and anonymous people; his style is minimal, dominated by white, black, and shades of gray, and his tag \u2014 the mark that characterizes and distinguishes all his works \u2014 is a visible red arrow.
He has executed thousands of portraits on streets worldwide.
He lives in Lille.[\/vc_column_text][vc_column_text]jefaerosol<\/a>\"\"<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1617328681321{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine”]JBROCK<\/strong>
\nL\u2019evoluzione<\/em>
\nRome, 2012
\nSpray paint, stencil on canvass
\n149,5 x 99 cm<\/p>\n

\u00a9 Ph. Dario Lasagni[\/vc_column_text][vc_single_image image=”1565″ img_size=”full” onclick=”link_image”][\/vc_column][vc_column width=”1\/4″][vc_row_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_column_text]<\/p>\n

JB ROCK<\/strong><\/h3>\n

(Roma 1979)[\/vc_column_text][vc_column_text]One of the leading urban artists on the Roman scene. A writer since age 12 and member of the TTS crew, JB ROCK<\/strong> graduated from the Academy of Fine Arts in Rome. Together with Diamond, at the turn of the millennium, he was a pioneer in Italy of poster art, sticker art, and stencil.
He is famous for the quality of his multilayer stencils and favors iconic, rebellious, and transgressive characters; among the subjects he has dedicated a series to is the hand<\/em>, a symbol of vitality, self-confidence, and reaction.
His aesthetic is intense, energetic, distinctive, and instinctive. His research is inspired by humanity, social themes, politics, pop, and post-pop.[\/vc_column_text][vc_column_text]jaybeerock<\/a>\"\"<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md”][vc_widget_sidebar sidebar_id=”cs-5″][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_column_inner width=”3\/4″][vc_column_text] SETH […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":10909,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":{"_lmt_disableupdate":"no","_lmt_disable":"","_links_to":"","_links_to_target":""},"folder":[42],"yoast_head":"\nSTREET DIALOGUES #5 - artworks - SpazioC21<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.spazioc21.com\/en\/dialoghi-di-strada-5\/artworks\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"STREET DIALOGUES #5 - artworks - SpazioC21\" \/>\n<meta property=\"og:description\" content=\"[vc_column_inner width=”3\/4″][vc_column_text] SETH […]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.spazioc21.com\/en\/dialoghi-di-strada-5\/artworks\/\" \/>\n<meta property=\"og:site_name\" content=\"SpazioC21\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/spazioc21\/\" \/>\n<meta property=\"article:modified_time\" content=\"2026-08-12T10:37:52+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.spazioc21.com\/wp-content\/uploads\/2020\/08\/instagram.png\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Organization\",\"@id\":\"https:\/\/www.spazioc21.com\/#organization\",\"name\":\"Spazio C21\",\"url\":\"https:\/\/www.spazioc21.com\/\",\"sameAs\":[\"https:\/\/www.facebook.com\/spazioc21\/\",\"https:\/\/www.instagram.com\/spazioc21\/\"],\"logo\":{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.spazioc21.com\/#logo\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/www.spazioc21.com\/wp-content\/uploads\/2020\/04\/spazio-c21-logo.png\",\"contentUrl\":\"https:\/\/www.spazioc21.com\/wp-content\/uploads\/2020\/04\/spazio-c21-logo.png\",\"width\":165,\"height\":122,\"caption\":\"Spazio C21\"},\"image\":{\"@id\":\"https:\/\/www.spazioc21.com\/#logo\"}},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/www.spazioc21.com\/#website\",\"url\":\"https:\/\/www.spazioc21.com\/\",\"name\":\"Spazio C21\",\"description\":\"Spazio espositivo privato a Reggio Emilia\",\"publisher\":{\"@id\":\"https:\/\/www.spazioc21.com\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/www.spazioc21.com\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"ImageObject\",\"@id\":\"https:\/\/www.spazioc21.com\/en\/dialoghi-di-strada-5\/artworks\/#primaryimage\",\"inLanguage\":\"en-US\",\"url\":\"https:\/\/www.spazioc21.com\/wp-content\/uploads\/2020\/08\/instagram.png\",\"contentUrl\":\"https:\/\/www.spazioc21.com\/wp-content\/uploads\/2020\/08\/instagram.png\",\"width\":40,\"height\":40},{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.spazioc21.com\/en\/dialoghi-di-strada-5\/artworks\/#webpage\",\"url\":\"https:\/\/www.spazioc21.com\/en\/dialoghi-di-strada-5\/artworks\/\",\"name\":\"STREET DIALOGUES #5 - 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