{"id":11064,"date":"2020-10-12T11:44:16","date_gmt":"2020-10-12T09:44:16","guid":{"rendered":"https:\/\/www.spazioc21.com\/hogre-propaganda\/artworks\/"},"modified":"2026-07-22T11:11:05","modified_gmt":"2026-07-22T09:11:05","slug":"artworks","status":"publish","type":"page","link":"https:\/\/www.spazioc21.com\/en\/hogre-propaganda\/artworks\/","title":{"rendered":"Hogre PROPAGANDA – Artworks"},"content":{"rendered":"

[vc_row css=”.vc_custom_1618525524611{margin-top: 2em !important;}”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][vc_widget_sidebar sidebar_id=”cs-8″][\/vc_column][vc_column width=”2\/4″][vc_empty_space height=”85px”][vc_column_text el_class=”margine”]\/ ARTWORKS<\/strong>[\/vc_column_text][vc_column_text el_class=”margine”]HOGRE<\/strong>
\nFreestyle over a commercial<\/em>
\nRoma, 2016
\nAcrylic and marker over stolen poster, paper 150g, lightbox
\n170 x 110 cm[\/vc_column_text][vc_column_text el_class=”margine”]\u00a9 Ph. Dario Lasagni[\/vc_column_text][vc_single_image image=”3073″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][vc_row_inner][vc_column_inner width=”1\/4″][\/vc_column_inner][vc_column_inner width=”3\/4″][vc_empty_space height=”85px”][vc_column_text]<\/p>\n

HOGRE<\/strong><\/h3>\n

(Rome, 1989)[\/vc_column_text][vc_column_text]A well-known figure on the European art scene for his unauthorized interventions, HOGRE\u2019s artistic signature has always been steeped in irony and reversal\u2014openly challenging mass media and massification. Active since 2007, he has collaborated with several galleries including Mondo Bizzarro and Laszlo Biro in Rome, Galo in Turin, and WAR in London. In 2013, he participated in the La Tour 13 exhibition project in Paris, and in 2018 he was one of the organizers of the Subvertising Warsaw action in Warsaw. He has published the books What\u2019s Hogre? and Subvertising, and currently collaborates with the UK-based Dope Magazine. He also has a few skeletons in his closet.[\/vc_column_text][vc_column_text]hogreman\"\"<\/a>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1620217950618{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine”]HOGRE e Doublewhy<\/strong>
\nFintissimi<\/em>
\nRoma, 2017
\nDigital paint, paper 200 g, lightbox
\n180 x 120 cm[\/vc_column_text][vc_column_text el_class=”margine”]\u00a9 Ph. Dario Lasagni[\/vc_column_text][vc_single_image image=”3074″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1620217954503{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine”]HOGRE<\/strong>
\nAdvertising shits in your head<\/em>
\nRoma, 2018
\nMixed media, paper 200g, lightbox
\n180 x 120 cm[\/vc_column_text][vc_column_text el_class=”margine”]\u00a9 Ph. Dario Lasagni[\/vc_column_text][vc_single_image image=”3075″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1620217958711{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine”]HOGRE<\/strong>
\nPropaganda<\/em>
\nReggio Emilia, 2019
\nMixed media, paper 200g, lightbox
\n180 x 120 cm[\/vc_column_text][vc_column_text el_class=”margine”]\u00a9 Ph. Dario Lasagni[\/vc_column_text][vc_gallery interval=”3″ images=”3076,3077″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1620217962856{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text]<\/p>\n

\nhttps:\/\/www.spazioc21.com\/wp-content\/uploads\/2021\/05\/La-Mostva.mp4<\/a><\/video><\/div>\n

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