{"id":11975,"date":"2026-09-25T11:45:44","date_gmt":"2026-09-25T09:45:44","guid":{"rendered":"https:\/\/www.spazioc21.com\/?page_id=11975"},"modified":"2026-09-26T08:36:03","modified_gmt":"2026-09-26T06:36:03","slug":"artworks","status":"publish","type":"page","link":"https:\/\/www.spazioc21.com\/en\/e35-to-c21\/artworks\/","title":{"rendered":"E35 to C21 – artworks"},"content":{"rendered":"

[vc_row full_width=”stretch_row” full_height=”yes” columns_placement=”top” el_class=”riga” el_id=”meulman”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][vc_widget_sidebar sidebar_id=”cs-54″][\/vc_column][vc_column width=”2\/4″][vc_empty_space height=”85px”][vc_column_text el_class=”margine1″]\/ ARTWORKS<\/strong>[\/vc_column_text][vc_column_text el_class=”margine1″]\u00a9 Photo Fabrizio Cicconi[\/vc_column_text][vc_column_text el_class=”margine1″]NIELS SHOE MEULMAN<\/strong>
\nIN PRINCIPIO OMNI VERBI LITTERA EST<\/em>
\n(FOUR-STROKE LETTER S)<\/em>
\n2026
\nQuadriptych – 150 x 80 cm each
\nAcrylic on cotton duck
\n230 x 300 cm[\/vc_column_text][vc_single_image image=”11990″ img_size=”full” css=”.vc_custom_1790331814397{padding-left: 24px !important;}” el_class=”margine0″][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][vc_empty_space height=”207px”][vc_column_text]<\/p>\n

NIELS SHOE MEULMAN<\/strong><\/h3>\n

(Amsterdam, 1967)[\/vc_column_text][vc_column_text el_class=”bio”]He’s a visual artist, known for his gestural paintings which reveal vivid traces of graffiti and calligraphy. He revolutionized the art of writing when he initiated the Calligraffiti movement, claiming \u201ca word is an image and writing is painting\u201d. Being a graffiti pioneer from Amsterdam, Shoe tagged along with New York counterparts like Dondi White, Rammellzee and Keith Haring in the 1980s. Equally influenced by abstract expressionist painters and pop artists, he gradually found a unique way to translate street attitude to galleries and museums. Experimenting within the traditional medium of paint-on-canvas, but also unafraid to venture into other domains like conceptual installations and poetry, Niels Shoe Meulman keeps pushing the limits of the global urban contemporary art movement.[\/vc_column_text][vc_column_text]nielsshoemeulman\"\"<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row el_id=”larock”][vc_column][vc_empty_space height=”120px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” el_class=”riga”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine2″]MICK LA ROCK<\/strong>
\nHANGING INSTALLATION WITH BLUE & RED ACCENTS #1 – #2<\/em>
\n2026
\nSpray paint and acrylics on MDF Wood
\n158,5 x 103 x 24 cm
\n153 x 116 x 24 cm[\/vc_column_text][vc_empty_space][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”11992″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”11994″ img_size=”full” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

MICK LA ROCK<\/strong><\/h3>\n

(Groningen, 1970)[\/vc_column_text][vc_column_text el_class=”bio”]Active since 1983 in Amsterdam and New York, is considered one of the most internationally renowned female pioneers of graffiti writing. Lettering immediately became the core of her artistic inquiry, dedicated to the deconstruction and reconstruction of the alphabet\u2014the foundation of the graphic language she continues to use today. In the early 1990s, she came into contact with the New York scene, meeting writers such as Lady Pink, Seen, and Dondi. Her experience in New York confirmed in her style how lettering, space, and rhythm could connect across different cities and cultures. Mick La Rock\u2019s practice extends to sculptural installations and paintings that reflect her roots in writing, characterized by alphabetical forms, spatial tensions, and architectural languages stemming from her geometric research. In parallel, Mick curates exhibitions and projects on the history of graffiti, bringing together artists, stories, and ideas, creating a bridge between street culture and contemporary art.[\/vc_column_text][vc_column_text] micklarock01\"\"<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” el_class=”riga”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine3″]MICK LA ROCK<\/strong>
\nM53K1104<\/em>
\n2026
\nSpray paint and acrylics on Brussels Linnen, aluminum stretchers
\n100 x 150 x 2,5 cm[\/vc_column_text][vc_single_image image=”11996″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row el_id=”antigoon”][vc_column][vc_empty_space height=”120px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” el_class=”riga”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine3″]ANTIGOON<\/strong>
\nWilson & Kelling collage Nr .1, 2, 3<\/em>
\n2026
\nSpray paint on glass
\n2020
\n91 x 61 x 1,8 cm[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”11998″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”12000″ img_size=”full” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”12002″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

ANTIGOON<\/strong><\/h3>\n

(Netherlands, 1983)[\/vc_column_text][vc_column_text el_class=”bio”]Merges engineering and art by designing machines that craft intricate geometric patterns. Among his inventive tools are custom-built ink plotters, contraptions that burnish gunpowder, and devices that blow powder pigment onto canvas with cannon-like precision. This interplay between mechanical precision and raw materiality introduces a captivating tension between automation and the artist\u2019s human touch. Antigoon\u2019s creations emerge from a \u201cdance with the machines,\u201d where these diverse tools actively shape the final artwork.[\/vc_column_text][vc_column_text]antigoon_\"\"<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” el_class=”riga”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine3″]ANTIGOON<\/strong>
\nMechanical Buffing #27- #28<\/em>
\n2024
\nSolvent dragged ink on paper
\nUnframed 100 x 70 cm
\nFramed 102 x 72 cm[\/vc_column_text][vc_row_inner][vc_column_inner width=”1\/2″][vc_single_image image=”12005″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_single_image image=”12007″ img_size=”full” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row el_id=”zedz”][vc_column][vc_empty_space height=”120px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” el_class=”riga”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column width=”2\/4″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text el_class=”margine3″]ZEDZ<\/strong>
\nOG-GA Robot 01<\/em>
\n2026
\nPaper & ink on paper
\nUnframed 34,5 x 23 cm
\nFramed 43,5 x 31 x 2 cm[\/vc_column_text][vc_single_image image=”12010″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text el_class=”margine3″]ZEDZ<\/strong>
\nSniper Robot 01<\/em>
\n2026
\nPaper & ink on paper
\nUnframed 34,5 x 23 cm
\nFramed 43,5 x 31 x 2 cm[\/vc_column_text][vc_single_image image=”12012″ img_size=”full” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

ZEDZ<\/strong><\/h3>\n

(Leida, 1971)[\/vc_column_text][vc_column_text el_class=”bio”]He has been creating graffiti since the mid-1980s. He study at the Gerrit Rietveld Art Academy in Amsterdam and graduates in 1998. His work mainly consists of abstracted typography, the dimensional approach and style of lettering could be considered his artistic signature. His current work remains deeply connected to the pure language of writing, while continuously researching and exploring new mediums and expressive formats. His practice has become increasingly socially engaged, intervening in public space through large-scale murals and installations that engage the public as an integral part of the artwork. His collaboration with MUA (Maurer United Architects) between 1999 and 2002, led to the realization of the concept of \u201cgraffiti-architecture,\u201d which gave rise to a series of monumental sculptures in the public space functioning as street furniture.[\/vc_column_text][vc_column_text]instazedz\"\"<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” el_class=”riga”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column width=”3\/4″][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text el_class=”margine3″]ZEDZ<\/strong>
\nUntitled – Zedz<\/em>
\n2022
\nOak & palisander
\n22,5 x 5 x 4 cm[\/vc_column_text][vc_gallery interval=”5″ images=”12018,12020″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_column_text el_class=”margine3″]ZEDZ<\/strong>
\nZebrano brother usual suspect 1\/3<\/em>
\n2023
\nZebrano wood sculpture
\n32 x 6,5 x 7,5 cm[\/vc_column_text][vc_gallery interval=”5″ images=”12025,12027″ img_size=”full”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_column_text]ZEDZ<\/strong>
\nOG-GA Robot 01<\/em>
\n2023
\nOak wood sculpture
\n33 x 9 x 8 cm[\/vc_column_text][vc_gallery interval=”5″ images=”12029,12031″ img_size=”full”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column width=”2\/4″][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” el_class=”riga”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column width=”2\/4″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text el_class=”margine3″]ZEDZ<\/strong>
\nUntitled 3D<\/em>
\n2018
\nMDF sprayprint
\n46 x 52 x 10 cm
\n[\/vc_column_text][vc_empty_space height=”28px”][vc_single_image image=”12033″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text el_class=”margine3″]ZEDZ<\/strong>
\nYum Yum<\/em>
\n2019
\nPrint carton
\nUnframed 40 x 34,5 cm
\nFramed 52 x 42 x 2,5 cm[\/vc_column_text][vc_single_image image=”12035″ img_size=”full” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” el_class=”riga”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column width=”3\/4″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text el_class=”margine3″]ZEDZ<\/strong>
\nUntitled<\/em>
\n2017
\nPrint on paper
\nUnframed 60 x 60 cm
\nFramed 74 x 74 x 3 cm[\/vc_column_text][vc_single_image image=”12038″ img_size=”full” onclick=”link_image” css=”.vc_custom_1790348815514{padding-right: 10% !important;}”][\/vc_column_inner][vc_column_inner width=”1\/2″][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column width=”2\/4″][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” el_class=”riga”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column width=”3\/4″][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text el_class=”margine3″]ZEDZ<\/strong>
\nUntitled<\/em>
\n2018
\nPaper cut
\nUnframed 36 x 36 cm
\nFramed 51 x 51 x 12 cm[\/vc_column_text][vc_empty_space height=”28px”][vc_single_image image=”12040″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_column_text el_class=”margine3″]ZEDZ<\/strong>
\nUntitled<\/em>
\n2015
\nPrint on paper
\nUnframed 22 x 22 cm
\nFramed 34 x 34 x 2,5 cm
\nN\u00b0 24 of 24[\/vc_column_text][vc_single_image image=”12042″ img_size=”full” onclick=”link_image” css=”.vc_custom_1790347808210{padding-right: 30px !important;}”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_column_text el_class=”margine3″]ZEDZ<\/strong>
\nUntitled<\/em>
\n2015
\nLayered prints on paper
\nUnframed 33 x 33 cm
\nFramed 46 x 46 x 3 cm
\nUnique edition[\/vc_column_text][vc_single_image image=”12044″ img_size=”full” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column width=”2\/4″][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” el_class=”riga”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column width=”2\/4″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text el_class=”margine3″]ZEDZ<\/strong>
\nUntitled<\/em>
\n2015
\nPrint on paper
\nUnframed 27,5 x 27,5 cm
\nFramed 42 x 42 x 2 cm
\nN\u00b0 6 of 12[\/vc_column_text][vc_single_image image=”12046″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text el_class=”margine3″]ZEDZ<\/strong>
\nUntitled<\/em>
\n2015
\nPrint on paper
\nUnframed 27,5 x 27,5 cm
\nFramed 43 x 43 x 2 cm
\nN\u00b0 10 of 12[\/vc_column_text][vc_single_image image=”12048″ img_size=”full” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row el_id=”pane”][vc_column][vc_empty_space height=”120px”][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” el_class=”riga”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column width=”2\/4″][vc_row_inner][vc_column_inner width=”1\/2″][vc_column_text el_class=”margine3″]STEFANO PANE MONFELI<\/strong>
\nHe was a victim of a series of accidents<\/em>
\n2026
\nAcrylic on canvas
\nUnframed 90 x 65 cm
\nFramed 93,5 x 68,5 cm[\/vc_column_text][vc_empty_space height=”27px”][vc_single_image image=”12054″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/2″][vc_column_text el_class=”margine3″]STEFANO PANE MONFELI<\/strong>
\nHe, having been promised nothing, felt cheated, having received nothing<\/em>
\n2026
\nAcrylic on canvas
\nUnframed 90 x 65 cm
\nFramed 93,5 x 68,5 cm[\/vc_column_text][vc_single_image image=”12056″ img_size=”full” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

STEFANO PANE MONFELI<\/strong><\/h3>\n

(Roma, 1974)[\/vc_column_text][vc_column_text el_class=”bio”]He is an Italian artist and graphic designer who has lived and worked in Amsterdam since 2004. He is known for a multidisciplinary practice rooted in graffiti and post-graffiti culture, spanning painting, installation, textile design, and publishing. In the early 1990s, Monfeli found in Rome\u2019s underground railway network a playground with Roman writers and others. From there, the city itself became working material. Monfeli began illegally painting refrigerators and abandoned kitchens on the street, transforming them into urban installations. This gave rise to Why Style, a collective that constructed and painted structures made mostly from reclaimed street materials, creating installations that also served as backdrops for skateboard photography. He studied graphic design and applied arts, briefly attending the Academy of Fine Arts in Rome before leaving it. In 2002, he published \u201cJust Push the Button\u201d, a photographic and textual narrative of the 1990s Roman graffiti scene he belonged to. In 2011, Damiani published People Think I\u2019m Cool, a monograph on his life and work.[\/vc_column_text][vc_column_text] stefanopanemonfeli\"\"<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” el_class=”riga”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine2″]STEFANO PANE MONFELI<\/strong>
\nHe carried his weight,he did it gayly and gladly<\/em>
\n2026
\nAcrylic on canvas
\nUnframed 185 x 150 cm
\nFramed 188,5 x 153,5 cm[\/vc_column_text][vc_single_image image=”12058″ img_size=”full” el_class=”margine0″][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column width=”2\/4″][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” el_class=”riga”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column width=”3\/4″][vc_row_inner][vc_column_inner width=”1\/3″][vc_column_text el_class=”margine1″]STEFANO PANE MONFELI<\/strong>
\nThe Redoubt<\/em>
\n2026
\nDiptych, BIC ballpoint pen on pink paper
\n21 x 29,7 cm (each)
\n[\/vc_column_text][vc_single_image image=”12060″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_column_text el_class=”margine1″]STEFANO PANE MONFELI<\/strong>
\nCompetition series \/ Untitled<\/em>
\n2026
\nBlack pastel on paper
\n64 x 48 cm[\/vc_column_text][vc_single_image image=”12062″ img_size=”full” onclick=”link_image” css=”.vc_custom_1790357885991{padding-right: 30px !important;}”][\/vc_column_inner][vc_column_inner width=”1\/3″][vc_column_text el_class=”margine1″]STEFANO PANE MONFELI<\/strong>
\nCompetition series \/ Untitled<\/em>
\n2026
\nBIC ballpoint pen on paper
\n48 x 37 cm[\/vc_column_text][vc_single_image image=”12064″ img_size=”full” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column width=”2\/4″][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” el_class=”riga”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column width=”3\/4″][vc_row_inner][vc_column_inner width=”2\/6″][vc_column_text el_class=”margine1″]STEFANO PANE MONFELI<\/strong>
\nLong Playing<\/em>
\n2026
\nBlack pastel on paper
\n60,5 x 60,5 cm[\/vc_column_text][vc_single_image image=”12067″ img_size=”full” onclick=”link_image”][\/vc_column_inner][vc_column_inner width=”1\/6″][\/vc_column_inner][vc_column_inner width=”3\/6″][vc_column_text el_class=”margine1″]STEFANO PANE MONFELI<\/strong>
\nThe big trouble with dumb bastards is that they are too dumb to believe there is such a thing as being smart<\/em>
\n2026
\nBlack pastel on green paper
\n29 42 x 59 cm[\/vc_column_text][vc_single_image image=”12069″ img_size=”full” onclick=”link_image”][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row full_width=”stretch_row”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column width=”2\/4″][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row full_width=”stretch_row” el_class=”riga”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][\/vc_column][vc_column width=”3\/4″][vc_column_text el_class=”margine1″]STEFANO PANE MONFELI<\/strong>
\nCompetition series \/ Untitled<\/em>
\n2026
\nBIC ballpoint pen on paper
\n29,7 x 21 cm[\/vc_column_text][vc_column_text]