{"id":9775,"date":"2026-07-03T15:37:22","date_gmt":"2026-07-03T13:37:22","guid":{"rendered":"https:\/\/www.spazioc21.com\/human-theater-theater-of-nature\/teatro-umano-teatro-della-natura-artworks\/"},"modified":"2026-08-13T16:31:53","modified_gmt":"2026-08-13T14:31:53","slug":"artworks","status":"publish","type":"page","link":"https:\/\/www.spazioc21.com\/en\/teatro-umano-teatro-della-natura\/artworks\/","title":{"rendered":"Teatro Umano, Teatro della Natura – artworks"},"content":{"rendered":"

[vc_row full_width=”stretch_row” el_class=”riga”][vc_column width=”1\/4″ offset=”vc_hidden-sm vc_hidden-xs”][vc_widget_sidebar sidebar_id=”cs-52″][\/vc_column][vc_column width=”2\/4″][vc_empty_space][vc_column_text el_class=”margine_start”]\/ ARTWORKS<\/strong>[\/vc_column_text][vc_column_text el_class=”margine_start”]\u00a9 Ph. Alessandro Bonori[\/vc_column_text][vc_column_text el_class=”margine_start”]Biancoshock<\/strong>
\nPRIGIONI MENTALI (Mental Prisons)<\/em>
\n2026
\nFine art print on cotton rag paper + Video performance 25 photographs 20 x 20 cm + 1 photograph 50 x 50 cm + Video 2:59 min. Full HD \u2013 4K Edition 1\/1 \u2014 boxed set containing the original video, documentation of the performance, and the 26 displayed photographs[\/vc_column_text][vc_single_image image=”9543″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][vc_empty_space][vc_column_text]<\/p>\n

Biancoshock<\/strong><\/h3>\n

(1982, Milan)[\/vc_column_text][vc_column_text el_class=”bio”]He’s a visual and conceptual artist. Over a twenty-year career, he has staged roughly a thousand unauthorized installations in public spaces across 31 countries. His works seamlessly blend irony, provocation, and poignant social commentary. Active as a graffiti writer since 1996, he has focused since 2004 on an artistic practice rooted in d\u00e9tournement, photography, and the conceptual reframing of daily routines, prompting critical reflection on contemporary society. His background allows him to instinctively engage with the metropolitan environment as a stage for artistic action\u2014 altering and reinterpreting mundane, overlooked objects to transform them into vehicles for social critique. In 2014, he founded “Ephemeralism,” a non-movement centered on Situationist performance through temporary, fleeting interventions in physical spaces. Consequently, his ephemeral works endure primarily through meticulous photographic and video documentation. He presented the movement’s manifesto at TEDx Porto in 2014. His work has been exhibited at renowned venues including the Saatchi Gallery in London, the Centre del Carme Cultura Contempor\u00e0nia in Valencia, the Grand Palais Immersif in Paris, and the MACRO Museum in Rome, as well as numerous European galleries. He lives and works in Milan.[\/vc_column_text][vc_column_text el_class=”bio”]\"\"biancoshock<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text]Francesco Garbelli<\/strong>
\nCARTELLI (Road Signs)
\nWe are the asteroid\/Take a closer look at the asteroid<\/em>
\n2026
\nPost-mounted diptych, vinyl adhesive film on road signs
\n60 x 60 x 217 cm[\/vc_column_text][vc_single_image image=”9547″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Francesco Garbelli<\/strong><\/h3>\n

(1962, Milan)[\/vc_column_text][vc_column_text el_class=”bio”]He’s a visual and conceptual artist. A graduate in Architecture from the Politecnico di Milano, he is recognized internationally as a pioneer of street and urban art. In the mid-1980s, Garbelli was a leading figure in the creative season of “Brown-Boveri”\u2014one of the most extraordinary chapters of underground art, self-management, and cultural squatting in Milan. Later, in 1993, he co-founded the “Concettualismo Ironico Italiano” (Italian Ironic Conceptualism) group, an avant-garde artistic collective that gained significant visibility in Germany. The movement distinguished itself by addressing the malaise of contemporary society and the art system through the lens of paradox, playfulness, and biting humor. A major focus of his oeuvre lies in the subversion and rewriting of metropolitan toponymy and urban visual codes. He has held solo exhibitions at the Gilda Contemporary Art Gallery (Milan), La Giarina Gallery (Verona), the Banca d’Asti headquarters in Via Manzoni (Milan), and the Stazione Arte Contemporary Gallery (Milan). In 2018, his work \u201cIdrante Ionico\u201d won the biennial “Arte in Balossa” competition. His pieces are included in the prestigious VAF-Stiftung collection, currently housed at MART (Museum of Modern and Contemporary Art of Trento and Rovereto). Garbelli has previously taught at N.A.B.A. in Milan and L.U.N.A. in Bologna. He lives and works in Milan.[\/vc_column_text][vc_column_text el_class=”bio”]\"\"francesco_garbelli<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine0″]Francesco Garbelli<\/strong>
\nSHADOWS<\/em>
\n2025
\nPencils on Fabriano Artistico paper 640 gsm
\n50 x 63 cm[\/vc_column_text][vc_single_image image=”9539″ img_size=”full” el_class=”margine0″][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine0″]Francesco Garbelli<\/strong>
\nSHADOWS<\/em>
\n2024
\nPencils on Fabriano Artistico paper 640 gsm
\n53 x 60 cm[\/vc_column_text][vc_single_image image=”9508″ img_size=”full” el_class=”margine0″][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine0″]Francesco Garbelli<\/strong>
\nSHADOWS<\/em>
\n2024
\nPencils on Fabriano Artistico paper 640 gsm
\n53 x 73 cm[\/vc_column_text][vc_single_image image=”9509″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text]Biancoshock_Francesco Garbelli<\/strong>
\nSUPER SIZE FLOWERS – Apocalypse Trilogy #1<\/em>
\n2026
\nSite-specific installation created at
\nSPAZIOC21, Reggio Emilia[\/vc_column_text][vc_single_image image=”9537″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text]Biancoshock_Francesco Garbelli<\/strong>
\nENGULF & DEVOUR – Apocalypse Trilogy #2<\/em>
\n2026
\nSite-specific installation created at
\nSPAZIOC21, Reggio Emilia[\/vc_column_text][vc_single_image image=”9502″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text]Biancoshock_Francesco Garbelli<\/strong>
\nOMNIA GLOBAL DEFENSE – Apocalypse Trilogy #3<\/em>
\n2026
\nSite-specific installation created at
\nSPAZIOC21, Reggio Emilia[\/vc_column_text][vc_single_image image=”9503″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine1″]Dott. PorkA\u2019s<\/strong>
\nJesus was not a rock \u2019n\u2019 roll star:
\nARRIVEDERCI ROMA<\/em>
\n2013
\nFine art print on Hahnem\u00fchle paper mounted on Dibond
\n80 x 120 cm
\nEdizione di 3[\/vc_column_text][vc_single_image image=”9510″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][vc_column_text]<\/p>\n

Dott. PorkA\u2019s<\/strong><\/h3>\n

[\/vc_column_text][vc_column_text el_class=”bio”]They are a trio working in the visual arts. Originally from Apulia, this artistic nucleus has extended its reach well beyond regional borders. Emerging in the mid-1990s, they carry out artistic blitzes nationwide, deploying posters and stencils laden with sharp social and political satire. Drawing inspiration from pop counterculture, self-published comics, underground graphics, and early pirate street television, the collective has forged a fiercely independent approach to art and social commentary, defined by an ironic, Dadaist aesthetic. Over the years, their practice has diverged from mainstream urban art conventions to develop a highly distinct stylistic signature: street-photo performance. They construct conceptual installations in forbidden, liminal spaces reclaimed from public use\u2014such as abandoned construction sites, skeletal factory ruins, or areas under judicial seizure. These backdrops trigger raw, anti-naturalistic visual short-circuits. Through photographs charged with pathos and irony, I Dott. PorkA’s denounce real estate speculation, the rampant overdevelopment of the Apulian coastline, industrial offshoring, and the moral impoverishment of modern society. Their work has achieved international reach through urban art festivals across major European countries, film screenings, and group exhibitions. It has also been featured in seminal essays on contemporary art, including Mario Cresci\u2019s “Future Images” and “Exploit,” a treatise on “heretical” and independent contemporary art authored by Giorgio De Finis, Fabio Benincasa, and Andrea Facchi.[\/vc_column_text][vc_column_text el_class=”bio”]\"\"dott.porka<\/a>[\/vc_column_text][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine1″]Dott. PorkA\u2019s<\/strong>
\nJesus was not a rock \u2019n\u2019 roll star:
\nCHOOSE HIM YOUR OWN PRIVATE JESUS<\/em>
\n2013
\nFine art print on Hahnem\u00fchle paper mounted on Dibond
\n80 x 120 cm
\nEdition of 3[\/vc_column_text][vc_single_image image=”9511″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine1″]Dott. PorkA\u2019s<\/strong>
\nJesus was not a rock \u2019n\u2019 roll star: <\/em>
\nPIET\u00c0<\/em>
\n2015
\nFine art print on Hahnem\u00fchle paper mounted on Dibond
\n80 x 120 cm
\nEdition of 3[\/vc_column_text][vc_single_image image=”9512″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine1″]Dott. PorkA\u2019s<\/strong>
\nJesus was not a rock \u2019n\u2019 roll star: <\/em>
\nCROCIFISSIONE<\/em>
\n2026
\nDirect print on aluminum
\n300 x 200 cm
\nUnique piece[\/vc_column_text][vc_single_image image=”9513″ img_size=”full”][vc_single_image image=”1031″ img_size=”34×50″ alignment=”center”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row css=”.vc_custom_1619795502497{margin-top: 5em !important;}”][vc_column width=”1\/4″][\/vc_column][vc_column width=”2\/4″][vc_column_text el_class=”margine1″]Dott. PorkA\u2019s<\/strong>
\nJesus was not a rock \u2019n\u2019 roll star: <\/em>
\nVIA CRUCIS<\/em>
\n2026
\nDirect print on aluminum
\n225 x 150 cm
\nUnique piece[\/vc_column_text][vc_single_image image=”9514″ img_size=”full”][\/vc_column][vc_column width=”1\/4″][\/vc_column][\/vc_row][vc_row][vc_column offset=”vc_hidden-lg vc_hidden-md”][vc_widget_sidebar sidebar_id=”cs-52″][\/vc_column][\/vc_row]<\/p>\n","protected":false},"excerpt":{"rendered":"

[vc_column_text el_class=”margine_start”]Biancoshock PRIGIONI MENTALI (Mental Prisons) 2026 Fine art print on cotton rag paper + Video performance 25 photographs 20 x 20 cm + 1 photograph 50 x 50 cm + Video 2:59 min. Full HD \u2013 4K Edition 1\/1 \u2014 boxed […]<\/p>\n","protected":false},"author":1,"featured_media":9789,"parent":9759,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"template-fullwidth.php","meta":{"_lmt_disableupdate":"no","_lmt_disable":"","_links_to":"","_links_to_target":""},"folder":[118],"yoast_head":"\nTeatro Umano, Teatro della Natura - artworks - SpazioC21<\/title>\n<meta name=\"description\" content=\"The exhibition addresses controversial everyday issues and intervenes in that space of critical tension founded on the Situationist concept of d\u00e9tournement, understood as the hijacking and resignification of everyday languages.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.spazioc21.com\/en\/teatro-umano-teatro-della-natura\/artworks\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Teatro Umano, Teatro della Natura - 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